Frederik Øland, violin
Rune Tonsgaard Sørensen, Violin
Asbjørn Nørgaard, Viola
Fredrik Schøyen Sjölin, Cello
“The Danish String Quartet stand out: not because they’re shinier or plusher or pushier than the rest, but because of their nimble charisma, stylish repertoire and the way their light and grainy shading can turn on a dime.”
— Kate Molleson, The Guardian
“They could be grounded in their tone or mystical. They allowed time to stand still, and they could assume the pose of excitingly aggressive rockers. They did it all.” — Mark Swed, The Los Angeles Times
“The Danish are remarkable, as ever – capable of intense blend, extreme dynamic variation (in which they seem glued together), perfect intonation even on harmonics, and constant vitality and flow.” — Andrew Mellor, Gramophone
"This is one of the best quartets before the public today." — Robert Battey, The Washington Post
Among today’s many exceptional chamber music groups, the Danish String Quartet continuously asserts its preeminence. The Quartet’s playing reflects impeccable musicianship, sophisticated artistry, exquisite clarity of ensemble, and, above all, an expressivity inextricably bound to the music, from Haydn to Shostakovich to contemporary scores. Their performances bring a rare musical spontaneity, giving audiences the sense of hearing even treasured canon repertoire as if for the first time, and exuding a palpable joy in music-making that have made them enormously in-demand on concert stages throughout the world.
Since its debut in 2002, the Danish String Quartet has demonstrated a special affinity for Scandinavian composers, from Nielsen to Hans Abrahamsen, alongside music of Mozart and Beethoven. The Quartet’s musical interests also encompass Nordic folk music, the focus of its newest recording, Last Leaf, on the ECM label. The recipient of many awards and prestigious appointments, including the Borletti Buitoni Trust, the Danish String Quartet was named in 2013 as BBC Radio 3 New Generation Artists and appointed to the Chamber Music Society of Lincoln Center’s CMS Two Program.
The Danish String Quartet begins the 2018-2019 season in Europe with appearances at the Lammermuir Festival in Scotland, followed by Norway’s Trondheim Festival, where they perform Mendelssohn’s Octet with the Maxwell Quartet, and collaborate with pianist Joseph Kalichstein in Brahms’s Piano Quintet. They return to London’s Wigmore Hall for a program that contrasts two Beethoven quartets with Webern. The Quartet tours North America, including performances in Toronto, Richmond, Wake Forest, Durham, Ann Arbor, and New York. They are presented by the 92nd Street Y, Washington Performing Arts, Houston Da Camera, Ensemble Music Society in Indianapolis, and Rockport Music. Concert programs include works by Haydn, Beethoven, Mendelssohn; String Quartet No. 1, “Ten Preludes” by the contemporary Danish composer Hans Abrahamsen; and Scandinavian folk song arrangements. In Europe, the Danish String Quartet travels a.o. to Munich, Milan, Antwerp, Berlin, Hamburg, and Madrid. The Quartet returns to the United States for performances in La Jolla, Santa Barbara, and Berkeley, appear for the first time in Logan, Provo, and Los Alamos, and return to play for the Vancouver Recital Society and Laramie.
The Danish String Quartet’s expansive 2017-2018 North American season included more than 30 performances across 17 states. The chamber group made numerous debuts, including summer festival appearances at Interlochen Center for the Arts; Bravo! Vail; and Ravinia, as well as Cleveland Chamber Music Society, Ensemble Music Society of Indianapolis, Santa Fe Pro Musica, Oregon Bach Festival, and San Francisco Performances. The Quartet returned to the Mostly Mozart Festival, UW World Series at Meany Hall in Seattle, Chamber Music Societies of Lincoln Center, Philadelphia, and Buffalo. They collaborated with Finnish pianist Juho Pohjonen for performances in Ravinia and cellist Jakob Koranyi as part of the Chamber Music Society of Lincoln Center residency at the Saratoga Performing Arts Center. In Europe, they toured Denmark, Norway, Germany, Luxembourg, and the Netherlands, and additionally performed in Australia and Asia.
The group takes an active role in reaching new audiences through special projects. In 2007, they established the DSQ Festival, now in its 11th year, which takes place in an intimate and informal setting in Copenhagen. This October, the Danish String Quartet performs, over the course of six concerts, the complete Beethoven cycle of 16 string quartets. In 2016, they inaugurated a new music festival, Series of Four, which they both perform and invite colleagues—the Ebène Quartet, mandolin player Chris Thile, among others—to appear at the venerable Danish Radio Concert Hall. Concerts this season range from a chamber version of the Fauré Requiem, a recital with violinist Augustin Hadelich, and the Scandinavian debut of the Vision String Quartet.
The Danish String Quartet has received numerous citations and prizes, including First Prize in the Vagn Homboe String Quartet Competition and the Charles Hennen International Chamber Music Competition in the Netherlands, as well as the Audience Prize at the Trondheim International String Quartet Competition in 2005. In 2009, the Danish String Quartet won First Prize in the 11th London International String Quartet Competition, now known as the Wigmore Hall International String Quartet competition, and return to the celebrated London concert hall frequently. The Quartet was the awarded the 2010 NORDMETALL-Ensemble Prize at the Mecklenburg-Vorpommern Festival in Germany, and in 2011, they received the Carl Nielsen Prize, the highest cultural honor in Denmark.
Named Artist-in-Residence in 2006 by the Danish Radio, the Quartet was offered the opportunity to record the Nielsen string quartets at the Danish Radio Concert Hall. The two CDs, released in 2007 and 2008 on the Dacapo label, garnered enthusiastic praise for their first recordings—“these Danish players have excelled in performances of works by Brahms, Mozart and Bartók in recent years. But they play Nielsen’s quartets as if they owned them,” noted the New York Times. In 2012, the Danish String Quartet released a recording of Haydn and Brahms quartets on the German AVI-music label, for which they also received critical notice. “What makes the performance special is the maturity and calm of the playing, even during virtuosic passages that whisk by. This is music-making of wonderful ease and naturalness,” observed the New York Times. Subsequently, they recorded works by Brahms and Robert Fuchs with clarinetist Sebastian Manz, released by AVI-music in 2014; Wood Works, an album of traditional Scandinavian folk music, released by Dacapo in 2017 and one of the top classical albums of the year, including on Spotify; and music of Thomas Adès, Per Nøgård, and Abrahamsen, the Quartet’s debut album on ECM.
Violinists Frederik Øland and Rune Tonsgaard Sørenson and violist Asbjorn Norgaard met as children at a music summer camp where they played soccer and made music together. As teenagers, they began the study of classical chamber music and were mentored by Tim Frederiksen of Copenhagen’s Royal Danish Academy of Music. In 2008, the three Danes were joined by Norwegian cellist Fredrik Schøyen Sjölin.
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