|© Marco Borggreve|
The “Paganini (of the recorder)”, “magician of the recorder” and “The world’s leading recorder player” – these are just a few of the descriptions the press has about Maurice Steger. In order to live up to such high expectations, one requires not only astonishing technique, but also charisma, intellect and a special sensitivity for the music. Maurice Steger has been proving all of this to his audiences for two decades, inspiring with his intense tone and unstoppable energy in various concert formats all over the world.
As a soloist, conductor or both at once, he regularly performs with the top period instrument ensembles, such as the Akademie für Alte Musik Berlin, La Cetra, the Venice Baroque Orchestra, the English Concert, the Canadian Violons du Roy and I Barocchisti. He also performs with leading modern orchestras such as the Zurich Chamber Orchestra, the hr-Sinfonieorchester Frankfurt, the Musikkollegium Winterthur, the Berlin Baroque Soloists (Berlin Philharmonic), or the NDR Radiophilharmonie.
Chamber music plays a notable role in the richly varied spectrum of Maurice Steger’s artistic endeavours. With fellow musicians and friends such as Hille Perl, Avi Avital, Daniele Caminiti, Lee Santana, Naoki Kitaya, Mauro Valli, Sebastian Wienand, Fiorenza de Donatis, Diego Fasolis, Sol Gabetta or the young French harpsichordist Jean Rondeau, he dedicates himself to a continuously updated repertoire of Early music. Besides this, Maurice Steger also engages with new concert formats and contemporary compositions.
Maurice Steger loves the interaction between different cultures, and getting to know other ways of working and interpretive approaches, working as a concert artist, teacher and juror, not only in Europe but throughout the world. Tours of Asia and Australia have led to performances with the Australian Brandenburg Orchestra, the Malaysia Philharmonic Orchestra, the Taipei Symphony among others. He was the first recorder player from the West to perform with the Traditional Taipei Chinese Orchestra. He also regularly performs in North and South America.
His commitment to musical education is also extremely important to him: besides the directorship of the Gstaad Baroque Academy at the Menuhin Festival Gstaad, which he took over in 2013, in addition to diverse master classes, he invented the character of “Tino Flautino” in order to encourage young children to playfully engage with classical music. Tino Flautino’s newest adventure with his tomcat Leo will be presented in German, Swiss-German and Italien.
Through his own unending thirst for knowledge, he succeeds time and again to show how much there is still to be discovered about Baroque music. For example, on his CD ‘Souvenirs’, he presented works that he discovered in the private library of Count Harrach in Naples, and for this was awarded the ECHO Klassik. His latest album ‘Baroque Twitter’ with the Kammerorchester Basel and the singer Nuri Rial, was inspired by birdsong. His next recording with La Cetra will be released in the Spring 2019 and will reflect on Handel’s opera performances in London, and especially their intermissions.
One wonders sometimes, where Maurice Steger gets all this energy with which he has helped the recorder to make a comeback, as arte recently showed in a documentary. But when you see how much love for the instrument, the music and the audience he has in each of his many projects, it becomes clear: Maurice Steger is also carved out of very special wood.
Please destroy all previously dated material.
For further information please visit www.mauricesteger.com