WEINSTADT ARTISTS MANAGEMENT
THE TALLIS SCHOLARS
& director: PETER PHILLIPS
|© Eric Richmond||© Eric Richmond|
The Tallis Scholars were founded in 1973 by their director, Peter Phillips. Through their recordings and concert performances, they have established themselves as the leading exponents of Renaissance sacred music throughout the world. Peter Phillips has worked with the ensemble to create, through good tuning and blend, the purity and clarity of sound which he feels best serves the Renaissance repertoire, allowing every detail of the musical lines to be heard. It is the resulting beauty of sound for which The Tallis Scholars have become so widely renowned.
The Tallis Scholars perform in both sacred and secular venues, giving around 80 concerts each year. In 2013 the group celebrated their 40th anniversary with a World Tour, performing 99 events in 80 venues in 16 countries. They now look ahead to their 50th anniversary in 2023. In 2020 Gimell Records celebrated 40 years of recording the group by releasing a remastered version of the 1980 recording of Allergri’s ‘Miserere’. As of the beginning of the cancellations caused by the COVID-19 crisis, the Tallis Scholars had made 2,327 appearances, worldwide.
2021/22 season highlights include performances in: Muziekgebouw aan’t IJ Amsteram, Oslo and RheinVokal Festivals, Klangvokal Musikfestival Dortmund, Bremen Musikfest and tours of Italy, in addition to their usual touring schedule around the USA, Europe and the UK. As part of the Josquin des Prez’ 500th anniversary celebrations The Tallis Scholars sing all eighteen of the composer’s masses over the course of 4 days at the Boulez Saal in Berlin.
Recordings by The Tallis Scholars have attracted many awards throughout the world. In 1987 their recording of Josquin’s Missa La sol fa re mi and Missa Pange lingua received Gramophone magazine’s Record of the Year award, the first recording of early music ever to win this coveted award. In 1989 the French magazine Diapason gave two of its Diapason d’Or de l’Année awards for the recordings of a mass and motets by Lassus and for Josquin’s two masses based on the chanson L’Homme armé. Their recording of Palestrina’s Missa Assumpta est Maria and Missa Sicut lilium was awarded Gramophone’s Early Music Award in 1991; they received the 1994 Early Music Award for their recording of music by Cipriano de Rore; and the same distinction again in 2005 for their disc of music by John Browne. The Tallis Scholars were nominated for a Grammy Award in 2001, 2009 and 2010. In November 2012 their recording of Josquin’s Missa De beata virgine and Missa Ave maris stella received a Diapason d’Or de l’Année and in their 40th anniversary year they were welcomed into the Gramophone ‘Hall of Fame’ by public vote. In a departure for the group in Spring 2015 The Tallis Scholars released a disc of music by Arvo Pärt called Tintinnabuli which received great praise across the board.
Peter Phillips has dedicated his career to the research and performance of Renaissance polyphony, and to the perfecting of choral sound. Having won a scholarship to Oxford in 1972, he gained experience as an undergraduate in conducting small vocal ensembles, already experimenting with the rarer parts of the repertoire. He founded The Tallis Scholars in 1973, with whom he has now appeared in over 2,250 concerts and made over 60 discs, encouraging interest in polyphony all over the world. As a result of this commitment Peter Phillips and The Tallis Scholars have done more than any other group to establish the sacred vocal music of the Renaissance as one of the great repertoires of Western classical music.
Peter Phillips also conducts other specialist ensembles. He is currently working with the BBC Singers, the Netherlands Chamber Choir, the Estonian Philharmonic Chamber Choir and the Choeur de Chambre de Namur. He is patron of the choirs of Merton College (Oxford), Sansara (London), El Leon de Oro (Spain), and of the Festivals of Portsmouth and Clifton; he also hosts the annual Tallis Scholars Summer Course in Avila (Spain). In 2014 he launched the London International A Cappella Choir Competition in St John's Smith Square, attracting choirs from all over the world.
In addition to conducting, Peter Phillips is well-known as a writer. For 33 years he contributed a regular music column (as well as one, more briefly, on cricket) to The Spectator. In 1995 he became the owner and Publisher of The Musical Times, the oldest continuously published music journal in the world. His first book, English Sacred Music 1549-1649, was published by Gimell in 1991, while his second, What We Really Do, appeared in 2013. During 2018 BBC Radio 3 broadcast his view of Renaissance polyphony, in a series of six hour-long programmes.
In 2005 Peter Phillips was made a Chevalier de l'Ordre des Arts et des Lettres by the French Minister of Culture, a decoration intended to honour individuals who have contributed to the understanding of French culture in the world. In 2008 Peter began an association with Merton College, Oxford, where he helped to found the chapel choir, and where he is a Bodley Fellow.
"Speaking of birds, it was also wonderful to glimpse Peter Phillips’s conducting: hands opening as if setting free a dove, or closing to punctuate with dotting-the-i’s exactitude. I found myself wishing I could get a choir’s-eye view to witness Phillips’ complete – lifelong – inhabiting of this music." The Observer, September 2015
This biography is valid for use until July 2020.